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Spoilers follow about the new D&D 5e Stranger Things Starter Set from Hasbro/Netflix.

I've recently bought the Stranger Things-themed D&D 5e Starter Kit. I'm a vet of the edition, but thought it could make an interesting thematic introduction to D&D for some friends. The module promises to be interesting, but I am concerned about one section.

The Cursed Labyrinth is supposed to be a Daedalian-style, changes-every-time-you look-back labyrinth. (Think Percy Jackson, but not the movies.) The module asks me to "use the table below to figure out what they find next. If the characters turn around, the maze remains the same until they go around a corner or open a door. Form that point on, the labyrinth makes a new random path."

Then there's a d20 table, with 12-14 being "random encounters." You are to encounter each one up to and only once. One of those 6 encounters (the others are scenic, treasure, traps, or combat) is necessary to the progression of the game: The Lost Knight advances plot and adventure.

My concern:

  1. The labyrinth mechanics do an OK job making wandering around feel somewhat intelligent, if I don't reveal its randomness and let the players figure it out. That said, I have to roll constantly to generate a hallway or a dead end or a door. (Also, what's behind the doors? Unknown.)

    I would really like to provide the feeling in the Percy Jackson labyrinth, where you know the labyrinth is playing tricks on you, and you have to keep forging ahead. It needs to feel almost alive. And I want to present decision points that are meaningful, not just "left v. right." How have you built this kind of "living labyrinth" with meaningful choice?

  2. How have you handled random encounters in such a labyrinth (one of which is entirely necessary)? My gut says to just decide at an appropriate time point that it happens. The book basically wants me to roll it out, which I am not a fan of, unless it can help the players feel truly lost.

A good answer will...

  • address (1) by suggesting a good way to make the labyrinth come to life, in a tricksy, Stranger-Things-horror-related way;
  • address (2) by suggesting a good way to deal with these "random" encounters; and
  • support suggestions with evidence of how a similar situation was handled and its outcomes, or for how this module was run

A good frame challenge will...

  • explain why the RNG-style labyrinth achieves my goals; or
  • explain why my concerns are unnecessary

It will also

  • support arguments with evidence from the running of this module or another similar situation
  • \$\begingroup\$ I was a little unclear on tags. I also created dnd-stranger-things-starter-set (modelled loosely on lost-mines-of-phandelver (also dnd-5e-starter-set). \$\endgroup\$ Nov 17, 2019 at 18:02
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    \$\begingroup\$ @Medix2 sounds great! I hadn't intended to be too restrictive; I just wanted to ward off highly speculative "well I would do this [made up thing]". Does that make sense? \$\endgroup\$ Nov 17, 2019 at 18:38
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    \$\begingroup\$ @Jadasc yes, that is helpful. One major difference is that this maze is, well, different every time you turn around. “Progress” seems to be almost fake in this labyrinth, easily turned around on you, making you kind of desperate to find someway out, but knowing you’re hopelessly lost \$\endgroup\$ Nov 17, 2019 at 21:12
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    \$\begingroup\$ One way you could make this question a better fit is rephrase it from "advice" to "how have you solved a problem like this". By asking how people have created a living-seeming labyrinth, you ask for something specific and not just general advice. \$\endgroup\$
    – DuckTapeAl
    Nov 18, 2019 at 0:09
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    \$\begingroup\$ @SevenSidedDie see my recent edit re: DuckTapeAl's comments. Is that better? \$\endgroup\$ Nov 18, 2019 at 1:45

1 Answer 1


I did something similar recently. My players needed to cross through a war zone. I wanted to get the danger and uncertainty of the setting across, but I didn't want it to devolve into a series of staged or random encounters they would feel they were just being subjected to, either by the dice or by me. Here's what I did:

1. The Atmosphere

I created the feel of the environment through the narrative of the surroundings: magic-torn battlefields, the distant sound of weary soldiers singing as they trudge through the nearby woods, etc.

For your module, you'll likely want to add sensory elements that reinforce the nature of the labyrinth. For example:

Clues that this place is trapping you on purpose:

  • looking behind and seeing changes to where you've been,

  • encounters with other trapped creatures who are standoffish because of the tricks the labyrinth has already played on them

Clues that passages are opening and closing just out of sight

  • the sound of stone-on-stone grinding,

  • changes in echo-quality,

  • sudden smells or changes in drafts blowing through, etc.

Clues that trying to mark your path is hopeless

  • small arrows drawn in chalk or blood near intersections

  • a blood-stained passage where someone or something was killed, leaving only a few bones and a broken piece of chalk

  • the corpse of an extremely old person, recently deceased, with scribbled journal indicating they'd been wandering this labyrinth for years, living off rats and lichen, etc.

2. The Encounters

Rather than left-right choices, I gave my players sensory clues at each decision point that foreshadowed the consequences of each choice. For example, at one point they could either turn uphill and travel along the ridge top, or go down and cross a burned-out valley where a magical battle had happened. If they went up, they suddenly came face-to-face with a contingent of hobgoblins. Both groups had been masked from each other by the hilltop and vegetation. If they went into the valley they faced a skill challenge where they had to use Nature, Survival, and Athletics to get through without anyone getting hurt.

This made them feel like they were making some level of informed choice and deciding their own fate. Sometimes they correctly anticipated the challenge down a certain path, other times they completely misjudged it, but they always felt the clues were at least consistent with the results, if not fully predictive.

For your module I'd do something similar. For instance, they come to a junction and

  • down one hallway it is perfectly quiet and the hallway is empty of the dust and minor debris they've noticed previously (that leads to the gelatinous cube's stomping grounds)

  • while the other way is a long hallway with a flickering light barely visible in the distance (where will-o-wisps lure the unsuspecting into pit traps)

  • etc.

You can play off of sounds they hear, things they see in the hallways, smells, even things they feel, like that "sudden chill that runs down your back when you look down the left tunnel."

Lastly, where I could I came up with 2 completely different foreshadowing clues for each encounter. That way, when I gave them the choice of the ridgetop or the burned out valley and they chose the valley, I could later still use the encounter they hadn't chosen (the hobgoblin surprise), but next time I would foreshadow it as an area of dense fog with a thick bed of pine needles through a small copse of trees (again, a reason for the groups to not see or hear each other for the mutual surprise). That way I only needed to create half as many encounters, because I could use the unchosen ones over again by just slapping on a different front end and not repeating any clues.

It really gave my session a unique feel, and my players had a lot of fun with it. They were quite proud of themselves when they anticipated the clues correctly, and there were some good-natured "I told you we shouldn't have gone into the swamp. Never go into the swamp!"-type moments as well.

3. The Labyrinth Generator

The labyrinth generating system provided requires die rolls to randomly generate it, but the OP expressed a fear that revealing the randomness will diminish the experience. If you don't want to give away that this process is random, make a bunch of die rolls ahead of time (or use a spreadsheet to generate them) and just have a long list of them. Then check them off as you use them. You can fit hundreds on a single sheet of paper and you won't be seen constantly rolling dice.

Secondly, the module's maze creation system generates hallways and doors, but doesn't appear to give guidance about what's behind the doors. A few ideas come to mind:

  • You could have doors open onto an empty hallway, then continue to use the maze generator regardless of whether they go through it or continue on.
  • You could have doors be fake, and either locked with a lock that doesn't open, or the doors open onto a blank wall.
  • You could use the Random Dungeon tables on page 291 of the DMG to roll up a list of door results, then check them off as you use them.
  • You could ignore door results on the module's random table and just stick to passageways.

An finally, one of the random encounters is necessary to the progression of the game. The OP expressed concern about how to integrate that into the maze generator.

A single encounter required for progression is called a "choke point". If you leave the timing of a choke point up to the dice, you could be in for a sudden and abrupt end to the situation (if you roll the final encounter too early), or in for a long slog (where you can't seem to roll the right combination to end the labyrinth). In the second case you either keep rolling until you get what you need, or you bail out and just make it happen through DM fiat despite the dice rolls. Neither of those outcomes makes for a particularly smooth session. My recommendations regarding a required encounter like this are:

  1. Hold your required encounter separate from your random table and drop it in when the timing is right. Since your labyrinth is re-building itself as it goes, there shouldn't be any problem with putting the hook for that encounter in when it's appropriate. You can even make it the only path forward at that time. You can plan ahead of time that this will be after 3 other encounters, or 5, or whatever feels right, but leave yourself the ability to set that timing according to what happens at the table so you can pivot as necessary.
  2. Be sure the characters have multiple ways to succeed in the encounter. They don't have to win, but there needs to be an opportunity for the game to move forward regardless of the outcome of that encounter. For instance, if there are riddles and a riddle-giver that gets them to the next part of the adventure, be open to them getting what they need even if they fail miserably at the riddle challenges. If they botch the riddles, maybe they can convince or trick the riddle-giver into helping them anyway (through Persuasion, Deception, Intimidation, etc.). Failing that, maybe they can secretly follow the riddle-giver after they leave and find their way out despite not getting its help (through Stealth, Survival, etc.). Or maybe, ultimately, they could actually defeat the riddle-giver through combat, and either earn enough respect to be moved along, or figure it out for themselves from whatever's left on the body. Just be open to allowing reasonable approaches a reasonable chance to succeed.
  3. For inspirational reading, I recommend Justin Alexander's essays, specifically the "EXTENDING THE THREE CLUE RULE" section of his Three-Clue-Rule essay. It's got some great advice on dealing with choke points.
  • \$\begingroup\$ This answer isn't bad, but would benefit from addressing what to do with one of the random encounters being required for progression. \$\endgroup\$ Nov 18, 2019 at 1:51
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    \$\begingroup\$ @Pleasestopbeingevil The encounter doesn't need to be treated differently does it? Just foreshadow it like any other encounter, and if they don't pick it then present it again later when you roll it. \$\endgroup\$ Nov 18, 2019 at 2:49
  • \$\begingroup\$ A random encounter being required for progression is a separate problem, but I can address it... \$\endgroup\$
    – Zimul8r
    Nov 19, 2019 at 3:35
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    \$\begingroup\$ This answer would be better if it integrated the changes, instead of having a big "Update" block, one that is nearly the size of the rest of the answer. \$\endgroup\$
    – T.J.L.
    Nov 21, 2019 at 13:21
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    \$\begingroup\$ Cleaned up the "update" aspect. However, the additional material didn't really fit into the original topics as covered, so I made it a separate section. I think everything stands on it's own now. \$\endgroup\$
    – Zimul8r
    Nov 24, 2019 at 15:19

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